Hard Salsa great for dancing.
VOICE 1: Once again ruining the radio station, Ruso Feroz, making me Chispa's accomplice at this party. VOICE 2: Bring me my brother, from the Orishas but this time with Chispa. VOICE 1: From the curb, the most dangerous places in this neighborhood. VOICE 2: The Russian with pure complicity. CHORUS: Let's break the radio station, we've been giving the time, so that the people in the neighborhood say we're the guys of today. VOICE 2: And repeat it with everything. CHORUS: Let's break the radio station, we've been giving the time, so that the people in the neighborhood say we're the guys of today. VOICE 2: There's tremendous competition in Cuban music and that doesn't come from just now, I can tell you this from experience, it's been 12 years and this party doesn't stop, and even though many don't want to, I keep hitting the ball in the face. CHORUS: Let's break the radio, VOICE 2: Over there. CHORUS: We've been giving the time, So that the people in the neighborhood will say that we're the guys these days. VOICE 2: Oh, move along, I'm on my way. CHORUS: Let's break the radio, we've been giving the time, VOICE 2: That's right. CHORUS: So that the people in the neighborhood will say that we're the guys these days. VOICE 2: You have to be on the ball so you don't get caught. There are a lot of bad people, who just want to see you in trouble, And now they're up there living in fantasies. It seems like they don't remember that when they were little I used to wind them up, remember, for sure. Come on, come on, come on. CHORUS: Let's break the radio, we've been giving the time, So that the people in the neighborhood will say that we're the guys these days. VOICE 2: Hey, so that the people in the neighborhood will say that I've been setting fire. CHORUS: So the people in the neighborhood can say we're the guys these days. VOICE 2: It's Chispa with the Cómplices, it's no coincidence, take your hand off or you'll get burned. CHORUS: So the people in the neighborhood can say we're the guys these days. VOICE 2: Oh, so drop the crutch and the cane and come for the fire, CHORUS: So the people in the neighborhood can say we're the guys these days. VOICE 2: So you can see how the dembow is going CHORUS: So the people in the neighborhood can say we're the guys these days. VOICE 3: It seems unbelievable and now this rush and I know it's destroying how boastful, from all four corners and upside down, your performance is dangerous. CHORUS: The street is dangerous so get ready for it VOICE 1: Again. CHORUS: If you don't wake up VOICE 1: What's going on? CHORUS: Anyone can come and run over you VOICE 1: Water. CHORUS: The street is dangerous so get ready VOICE 1: Sure. CHORUS: If you don’t wake up. VOICE 1: What’s going on? CHORUS: Anyone can come and run over you. VOICE 2: If you don’t wake up, they’ll pull a fast one on you, man. CHORUS: If you don’t wake up, VOICE 2: Look. CHORUS: Anyone can come and run over you. VOICE 2: Oh, dangerous, the street is dangerous and poisonous. CHORUS: If you don’t wake up. VOICE 2: Come on. CHORUS: Anyone can come and run over you. (…)
VOZ 1: Otra vez desbaratando la emisora,
Ruso Feroz, haciéndome cómplice del Chispa en este party.
VOZ 2: Echa para acá mi brother,
desde los Orishas pero esta vez con el Chispa.
VOZ 1: Del contén más peligros de este barrio.
VOZ 2: El ruso con la pura complicidad
CORO: Vamos a partir la emisora,
venimos dando la hora,
para que la gente del barrio comente
que somos los tipos de ahora.
VOZ 2: Y repítelo con todo.
CORO: Vamos a partir la emisora,
venimos dando la hora,
para que la gente del barrio comente
que somos los tipos de ahora.
VOZ 2: En la música cubana hay tremenda competencia
y eso no viene de ahora, yo te lo digo por experiencia,
ya han pasado 12 años y esta fiesta no se para,
y aunque muchos no quieran yo sigo dándole a la bola en la cara.
CORO: Vamos a partir la emisora,
VOZ 2: Por ahí.
CORO: Venimos dando la hora,
para que la gente del barrio comente
que somos los tipos de ahora.
VOZ 2: Ay, quítate que voy para allá.
CORO: Vamos a partir la emisora,
venimos dando la hora,
VOZ 2: Como es.
CORO: Para que la gente del barrio comente
que somos los tipos de ahora.
VOZ 2: Tienes que estar a la viva
para que no te escaches
Hay, mucha gente mala,
que lo que quieren es verte en el bache,
y ahora están arriba viviendo de fantasías
parecen que no se acuerdan
que cuando chiquiticos yo le daba cuerda, recuerda,
seguro.
Vamos, vamos, vamos.
CORO: Vamos a partir la emisora,
venimos dando la hora,
para que la gente del barrio comente
que somos los tipos de ahora.
VOZ 2: Oye, para que la gente del barrio diga
que vengo echando candela.
CORO: Para que la gente del barrio comente que somos los tipos de ahora.
VOZ 2: Es el Chispa con los Cómplices
no hay casualidad
sácale la mano que te quemas.
CORO: Para que la gente del barrio comente que somos los tipos de ahora.
VOZ 2: Ay, así que suelta la muleta y el bastón
y ven para la candela,
CORO: Para que la gente del barrio comente
que somos los tipos de ahora.
VOZ 2: Para que tú veas como se pone
el dembow
CORO: Para que la gente del barrio comente
que somos los tipos de ahora.
VOZ 3: Parece mentira
y ahora esta corrida
y sé que va destruyendo
qué alardosa,
por las cuatro esquinas
y las patas para arriba,
peligrosa tu función.
CORO: La calle está peligrosa así que ponte para la cosa
VOZ 1: Otra vez.
CORO: Que si no te espabilas
VOZ 1: ¿Qué pasa?
CORO: Viene cualquiera y te pasa por arriba
VOZ 1: Agüita.
CORO: La calle está peligrosa así que ponte para la cosa
VOZ 1: Seguro.
CORO: Que si no te espabilas.
VOZ 1: ¿Qué pasa?
CORO: Viene cualquiera y te pasa por arriba.
VOZ 2: Si no te espabilas te dan gato por liebre, man.
CORO: Si no te espabilas,
VOZ 2: Mira.
CORO: Viene cualquiera y te pasa por arriba.
VOZ 2: Ay, peligrosa, la calle está peligrosa y venenosa.
CORO: Que si no te espabilas.
VOZ 2: Vamos.
CORO: Viene cualquiera y te pasa por arriba.
(…)
