Te Invito is a " la Bomba" genre of Puerto Rico. There is alot of chanting with womens voices in the back ground.
VOICE 1: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Oh, don't come here and hold back, don't come here and hold back, this is good bomba don't come here and hold back. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Oh, when you stepped on the ground it became a cape and with your shoes you painted the color of this song. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Oh, in metaphor I spoke, while you danced bomba and with your eyes you molded the shape of my voice. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Hey, don't come here and hold back, don't come here and hold back, this is good bomba, don't come here and hold back. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Oh, come and dance for me in the abstract, the color of this drum, come and paint the color of the genre with your skirt. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Oh, don't come here and hold back, don't come here and hold back, dance with the good bomba because you can't hold back. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Hey, imagine that your oak body is a paintbrush, leave the melody of this kuendé on the ground CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1: Hey, dance, dance the bomba for me, dance like you know how, bomba but the good kind with Hijos de Agueybaná. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. VOICE 1. Oh, don't come here and hold back, don't come here and hold back, you know how to dance bomba, don't come here and hold back. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back. CHORUS: To dance the good bomba you have to feel it, I invite you to dance it now don't come here and hold back.
VOZ 1: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Ay, no te vengas a cohibir,
no te vengas a cohibir,
esta es bomba de la buena
no te vengas a cohibir.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Ay, cuando pisaste el suelo
en capa se convirtió
y con tus zapatos pintaste
el color de esta canción.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Ay, en metáfora yo hablaba,
mientras bomba tú bailabas
y con ojos tú moldeaste
la figura de mi voz.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Eh, no te vengas a cohibir,
no te vengas a cohibir,
esta es bomba de la buena
no te vengas a cohibir.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Ay, ven y báilame en abstracto,
el color de este tambor,
ven y pinta con tu falda
el color del género.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Ay, no te vengas a cohibir,
no te vengas a cohibir,
baila con la bomba bueno
que no se puede cohibir.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Eh, imagina que tu cuerpo
de roble es un pincel,
deja plasmado en el suelo
la melodía e este kuendé
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1: Eh, baila, báilame la bomba,
baila como usted lo sabe,
bomba pero de la buena
con Hijos de Agueybaná.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
VOZ 1. Ay, no se venga a cohibir
no se venga a cohibir,
usted sabe bailar bomba,
no se venga a cohibir.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.
CORO: Para bailar la bomba buena
tú lo tienes que sentir,
yo te invito a bailarla ahora
no te vengas a cohibir.